Poet who criticised the Brahminic beliefs
  • Original Tamil poems are in the blog
    http://karkanirka.wordpress.com/2008/05/17/civakaviyam2/

    Civakaviyar is one of Cittars who heavily criticized the Brahmin
    dominated society and caste system of his period. I have given two
    poems below which echo this feelings,


    In bricks and in granite,

    in the red rubbed lingam,

    in copper and brass,

    is Siva's adobe-

    thats what you tell us,

    and you are wrong.

    Stay where you are

    and study your own selves.

    Then you will BECOME

    the Temple of GOD,

    full of his dance and spell

    and song.

    ……..
    …..
    ..


    What does it mean - a Pariah woman?

    What does it mean - a Brahmin women?

    Is there any difference in flesh,

    skin,or bones?

    Do you feel any difference when you sleep

    with a Pariah or Brahmin woman?

    Poet: Civavakaviyar

    Translated by Kamil V Zvelebil


    Vairam
  • Vairam,

    Thanks for the post. When I read the tamil lines from your site, i was wondering about the
    intro given. None of the two stanza's talk anything about criticizing a community (atleast
    to my knowledge). Both are very generic and a common trend in any of the sitthar songs

    First stanza is to all those who belive in temple and god. Second is just a comparison to
    say that all are equal. Even many sanskrit slakas use this method of comparison.

    Can you post the full song and the translation from the book are quoting this? Please post
    from Kamil, what reason he has given to say that these verses were criticizing brahmin
    dominated community?

    Just curious to know about the prevailing trend of those years.
  • The words in tamil sound different from words in english...to me
    atleast.
    As with any words, it is in the eye of the beholder.
    I read it as a hardcore siva thathuvam and i would also deduce the
    pariah / brahmin to iccha/kriya to be embedded inside the body.
    I am not to believe Sivavakiyar was into social reforms and there is
    no reason to believe so. His words from other poems also seem
    pointing to a higher end of philosophy and siva thathuvams.
  • HI ,
    This is a quick reply....
    There are series of poems,where he questions the rituals of brahmins....
    Kamil Zvelebil goes on to say he questioned the Brahmin domination in
    relegion so much that....even though his work was about Siva and was
    deeply philosophical it was not added to the Saiva Cannon.....I will
    soon quote the exact words of Zvelebil

    this is one of my old post
    http://karkanirka.wordpress.com/2008/04/10/cittar-poems-civavakkiyar/

    Listen

    you who take always sacred baths

    you who kindle sacrifical fires

    you who pour in tons of ghee

    hear words of wisdom

    hear

    The Fires and holy waters

    are within

    Behold

    remember and attest

    An endless undiminished light

    will appear and union in oneness

    be





    41.

    The veda you recite is spit. The mantras in it are - spit.

    All pleasures are but spit. All seven worlds are - spit.

    Honeyed sperm is spit.Intellect is spit.Enlightment is - spit

    There is nothing, indeed, nothing that is not spit!



    These two poems directly attack the brahminic practices....
    I usally post Civavakiyar at times since it add variety to my
    blog...my blogs are usually devoted to Sangam literature....
    His poetry is pretty hard and not soft coated as we expect a
    devotional song to be...
    And Cittar padalgal are bit unexplored area as well....

    If you want further reference....i will quote soon....I just saw ur
    post now...so i am answering imm..i dont have any of my books with me now
  • Nakkirar is dated any where between 6-9 th century
    The most famous work of this Nakkirar is a commentary to Iraivanar
    Agaporul....since time period of Thirumurgatrupadai is also same...
    It is widely accepted that these two Nakkirars are same....
    There are also poets named Nakkirar in 11 th century and later...but
    their works are no way famous and no where near good...so they are
    believed to be poets with same names...and not the same poet....
    And there are at least 3 poets with name Nakkirar....
    similar trend is with Agathiyar and Auvaiyar....Atleast Auvaiyar was
    Sangam poet whose name was used by subsequent poets....but Agathiyar
    is total mythical character to bring in Aryan religion into Tamil's
    Divinity and his name is used from naadi edu to shidda medical text...

    Nakkirar is of third sangam...as there is no proof for existence of
    first two sangams.....
    The three sangam concepts were only introduced by Nakkirar some where
    between 6-9th century in his commentary to Iraivanar Agaporul....
    None of the literature before has any reference to three
    sangams...even in sangam literature there is no reference...

    There are reference in Jain sources that Jains started a Sangam for
    Tamil in Madurai...
    There are also reference here and there that there might have been
    committee of poets setup in and around Madurai ....
    So the possiblity is there was some kind of Academy of poets in
    Madurai and surely it was not as big and as organized as it is quoted
    by Nakkirar(i.e the three sangam lasted for so many thousand years)

    No idea about Bogar as of now....But there are more myths than facts
    concerned with Bogar.
  • Dear Vairam

    I dont really see any brahminical criticisum in here. His model of
    work is again different from the vedic prescribed paths. He jus
    advocates the yogi/sanyasi path.

    I can only conclude two things from these poems, either he is talking
    highest epitome of self realization or just dismiss them as rumblings
    of a person with unstable mind.

    Either case, it is difficult for me to correlate a social denouncing
    of brahmins, especially if I were to consider him to be a person of
    serious spiritual nature.

    It would be interesting to read other people's interpretations.

    PS: Going by his words in as is where model, there are 7 worlds
    (however it be in spit), I will be curious to find the factual
    evidence of these worlds.
  • > No idea about Bogar as of now....But there are more myths than facts
    > concerned with Bogar.
    Pulipani is not a myth, he was existant, his clan is too. He is
    spoken to have been an immigrant from China (so is Bogar - Bo ga).
    Pulipani is the first and direct disciple of Bogar.

    Bogar samadhi and Palani temple have been real so point of contention
    by logic is, when was the statue made (in nava pashanam) and who made
    it if Bogar is a myth. If assuming it is made post thiruvalluvar
    period, there must be some documentation, which I do not see.
    If it is pre Thiruvalluvar, then the theoy of uruva vazhipadu concept
    introduction by pallava dynasty may be under question.

    It will be really great to find truths related to Bogar.
  • Dont get me wrong
    I didnt say Bogar was a myth....
    I said there are more myths than facts....
    I acknowledge that Bogar was very well a true person...but whether
    the stories associated with him is true or myth is unknown...
    I havent seen any critical literature about Bogar yet....
    if any body knows any such literature please let me know...
    I am pretty interested to study it...
  • The exact words of Kamil Zvelebil are as below
    "Civavakkiyar was one of the greatest rebels against the hindu
    establishment,particularly against the brahminic order of things,he
    denounces the Brahmans,the authority of vedas and the aagamas,he
    condemns idol worship and temple cermonies.He is implacable opponent
    of caste system.He is against all forms of orthodoxy.He ignores the
    division between the Saivites and Vaishnavites.Such rebellion against
    relegious orthodoxy and sacerdotalism was simply ignored by the
    established tradition,and his poems,numbering 527 stanzas,were left
    out of Saiva canonical literature."

    And these are words of T.P.Meenakshisundaram from A history of Tamil
    Literature "There is forceful clarity,shocking us sometimes by its
    forthright directness;he is not even afraid of using terms that prigs
    will call vulgar or obsene"

    And again words of Kamil V Z "Civavakkiyar may be considered as a
    landmark in the history of Tamil thought and writing."
  • "just dismiss them as rumblings
    of a person with unstable mind"

    I think these same lines was uttered to him during his life time by
    many people....he has written a poem for this situation...its given below


    you who are foolish
    will say:
    'These Shiddas are small men'
    you who are foolish
    will even think
    These Siddhas are mad.
    Yes!
    although they are here,
    they live in the realm and sphere
    of the Madman.
    That's why for them
    this world
    and His world
    are one.
    Poet: Civavakkiyar
    Translated by Kamil Zvelebil
  • Well then, that is the rule of thumb to any saint.
    A person in Civavakiyar's position can obviously say that 'hariyum
    sivanum onnu ariyatavar vayile mannu'. But that does not work from
    day one for any person. It would rather land up as dangerous, I
    personally believe these rebellious messages landed up in period of
    time where there was discrimination against some communities, while
    not exactly liberating others.

    He was a great saint, I am sure he had brahmin devotees at his time
    and I am sure he has worshipped idols on his way too. I do not think
    it is fair to read his works with a narrow thought process. A person
    who see's multiple samathuvams in one, is bound to see humans as one
    and idols to non idols. That level is not reached in day 1 of
    progress.

    I would suggest reading his works with a way too broader mind than
    constraining it to a small social reforming path. I am reading the
    verses and to me it is extraordinary genius.
  • Time can change facts to myths.
    Just like it is said by some one
    "If there were no survivors...where do the stories come from".
  • The facts about Civavakkiyar is as below,

    Name:
    Legend: He uttered the word Shiva while he was born.
    Possible truth: Named after his work Civavakkiyam.

    Period:
    First there needs this clarification - There are two Pattinattar in
    Tamil literature.
    One in 10th century and author of Thriuvidamarudur Mummani Kovai
    other in 14th - 15th century.
    Other in 14-15th century and his works are compiled as Ptinathar Padalgal.

    The first Patinathar quoted a Civavakkiya Tevar in his poem. This
    makes age of Civavakkiyar earlier to 10th century.

    But Author of Civavakkiyam seems to have great knowledge in Saiva
    Shiddantha and has used Urdu loan words in his work. This makes his
    works dated to later period.

    He is quoted by Tattuvaryar(14century) and Civananavallal(15 century)
    and commentary of Maraianacampanthar. This puts in a Age before 16th
    century.

    The solution provided by scholars is that possibly Civavakkiyatevar
    was different from the author of Civavakkiyam.

    This puts the dating of Author of Civavakkiyam- Civavakkiyar to around
    13-15th century.



    Life:
    Legend: Born as a Brahmin, married a low community women(Kuravar
    women), received initiations form guru Konkanar and started performing
    miracles.He is supposed to have made pilgrimage to Benares(this might
    be based on allusions in one of his poems).
  • Hi,
    Based on discussions on this forum and Mintamil forum(where
    Dr.N.Kannan had given a beautiful explanation about these two shidda
    poems) , I have changed by blog title to
    'Poet who criticized the prevalent religious beliefs -Civavakiyar
    poems - Civavakaiyam'

    and the basic introduction as
    'Civakaviyar is one of Cittars who heavily criticized the established
    religious structure and caste system of his period. I have given two
    poems below which echo this feelings'.

    Thank you for all the members who contributed in this thread and
    presented their view and helped me understand the poems better.

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