Kaviri Maindhan
  • Dear Venkatesh
    A few pointers for the next edition.(Based on PS)

    Kandhamaran does not call Vandhiyadevan 'Valla' he calls him 'Vallava'...Valla sounds jarring...

    Vikramakesari is Vanadhi's Periyappa not sittappa

    Aniruthar only sports a small sandhana keetru not Pattai or Namam..the thing i think you have based your script on is the Rameswaram episode but that was just one

    Sevur was not where Veerapandiyan was killed. Sever was AK's first war at the age of 12 but he kills VP later

    I ve already raised the issue about Mandhakinis pregnancy

    Though the logic sounds better...Pandyas were more challenging and powerful against the Pallavas till Thirupurampaiyam where Vijayalaya turned the tables
    at that point Thanjavur was under Cholas hence .......you know what I am alluding to dont you

    Rakkammal was Murugaiyans wife and just a few years older than Poonguzhali..(Infact she is Revadasan Giramavithans daughter who is the same age as Ravidasan) here you have aged her verymuch and decreased Idumbans age by calling him the same age as PS

    More to follow
  • I have a question. The genre in which Mr.Venketesh, Kalki, Alexander Dumas
    are writing in historical fiction. I think the focus should be on giving a
    fantastic adventure (like PS, 3 musketeers) and not focus too much on the
    historical details. As long as the deviation is not that big the author can
    take a few liberties. As long as the adventure is enjoyable and the
    historical details are not THAT far off we can give the author the credit. I
    mean such books are NOT meant for the hard core historians but people who
    can learn a bit of history while enjoying a good book.
    I mean Sridhar sir, Does it really matter if Anirudhar sports a pattai or
    naamam or whatever as long his character has not done something
    controversial to its historical accounts its ok. Its like Vivek comedy in
    the tamil movie Saami. No offence meant, please dont mistake. Its just that
    i feel we tend to get a bit carried away by the historical details that we
    tend to forget that what the book(both PS and KM) has really done. it has
    revived a forgotten section of tamil history. I prefer history this way a
    wee bit inaccurate but enjoyable all the same.
  • Dear Rahul
    Thank you
    I very well appreaciate Venkats efforts and acknowledge the hardwork involved...
    But Criticisms for these works will lawyas be there especially if you add the term

    ''sequel'' to a magnum opus.....particularly a area where great writers have burnt their fingers...(Vikraman wrote Nandhipura Nayaki as a sequel which didnt go down very well with the fans...of PS Frederick Forsyth wrote a sequeal to the Phantom of the opera which again was criticised)

    historic fiction is an art only a few can handle

    there are three classes of this

    Historic Fiction
    Fiction in a historic setting
    Social Fiction in a historic backdrop.

    Historic fiction has a historic background and charectors with authors imagination interspersed with historic evidence(PS, Kadal Pura, SS, YavanaRani, Diwakars Vamsadhara,Thirumalai thirudan, Gokuls Rajakesari,Sujathas Ratham ore Niram etc)

    Fiction in a historic setting
    Where most of your charectors are Fictious and the setting is historical a good example is Kannimadam by Sandilyan
    KM is similar bacuse all the events in the story line are authors imagination except the Temple in Mazhapadi...

    Social fiction in hIstoric setting
    Gokuls Paisasam and Balakumarans Udayar

    The points I was raising was just in the storyline and style as it was a declared sequel to PS so these can be amended in the next edition

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