Hiranya Karpam
  • Friends,

    Any body have any idea about 'Hiranya Karpam puguthal?" Does it
    mean "Udankattai"? How it differs from that?

    Pl. explain.

    anbudan, Ramki
  • soul reaches after it saperation from body. The same can be read
    in 'Autobiagraphy of Yogi' too.

    The link I find in this is, both the souls may depart to Hiranya
    Lokam, after undankattai.

    Rajendhra Cholan!
  • Udankattai is totally different from Hiranya garpam.

    I do not know the exact spiritual significance of this practice nor
    what is means - but it is something like going and coming out of a
    golden cow etc.

    In Thiruvisalur Rajaraja performs thulabhara and his pattamahishi
    danthi sakthi performs hiranya garpa - RECORDED AS HEMA GARPA in
    inscriptions

    It is one of the auspicious practices of hinduism. Scholars can throw
    more light
  • vanakkam,

    I was also thinking of Hirany Garbam as a process where one enters
    thru the mouth of a golden cow and comes out thru the rear. It is
    said that there is no re-birth, once u do this. Yes there r
    inscriptional evidences for RRC n Danthi Sakthi Vidangi doing this
    at Thiruvisalur.

    The extra gold that was remaining after making the golden cow was
    used for the Thiruvalanchuzhi Kshethrabalar!

    But, when I googled for 'Hiranyagarbham', what I saw has amazed me.
    Am posting some of them:

    Hiranyagarbha is the cosmic germ, the world soul, the third in the
    hierarchy, who is identified as Brahma. The followers of Vishnu
    believe that Brahman was born from His umbilical chord, as they
    consider Him to be the Supreme Brahman Himself.


    The Rigvedic perception of 'Prana' and 'Bhuta' - the life and the
    matter, which the Rigveda calls Hiranyagarbha is explicit and better
    defined. In the Hiranyagarbha analogy, 'hiranya' or gold is
    the 'Prana', the life and 'garbha' the 'Bhuta', the matter. The
    Rigveda observes that it was the single egg but split into two -
    the 'Prana' and 'Bhuta'. The Rigveda does not elaborate the point
    any farther but its symbolism moves into two apparent directions.
    Egg contains both, the life and the matter. When it splits, both
    fall apart. Besides the lifeless matter, the Egg also yields the
    matter with life. The Rigveda calls them as 'aprana' and 'saprana'.
    The matter with life has life but is just the single Egg, the
    inherent aspect of the female, as by itself it is unable to farther
    the creative process and it is thus only the inactive 'Bhuta'. It is
    only after the male energy fertilizes it that it becomes the Golden
    Egg- the life-bearing one, the Hiranyagarbha of the Rigveda. And,
    now the Hiranyagarbha- the 'Bhuta' combined with 'Prana', the matter
    energized by spirit, takes to its own form and defines creation.


    Vishnu Sahasra Namam
    Jagadaadijah - One who had born (Jah) in the very beginning (aadi)
    of the world (jagat) is called Jagadaadijah. At the time of
    dissolution (Pralaya) when the entire gross and subtle bodies go to
    lie absorbed in the Total Causal-body, the world, in Pralaya, lies
    merged in Eesvara. Before the gross world-of-plurality emerges out
    there should be a condition of subtle manifestation of it in the
    form of thoughts. Thoughts constitute the mind-intellect; when the
    Infinite functions through this Total Mind-intellect, It is called
    as Hiranyagarba the womb of all objects, it is from the Hiranya
    garba-state, the manifestation of the gross world emerges out, when
    the lord comes to play as a Virat Aatmaa. Maha Vishnu is the one who
    was born before the world of gross bodies, therefore it is indicated
    here that he is the "Womb-of all- objects" in the world, the
    Hiranyagarba-the very creator.



    swetha
  • On his death bed, Chatrapathi Shivaji is reported to have asked his
    assistants to to let him touch (or tie his hands to) the tail of a cow . He
    wanted his soul to hold the tail, enter the womb of the cow and get
    sanctified before further journey. Madan narrates this in 'Vandhaargal
    Vendraargal'.

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