Arts,masses and literature
  • what is the role of masses in detrmining literature?To start off let
    me clarify what is the general norm which prevails in this regard.

    1)The general public create a hitherto unknown field of art.For
    example the african american slaves in USA created a new form of
    music called panjo when they came to USA as slaves.Soon this spread
    over to whites too and this music became popular.When some unknown
    field gets popularity slowly pundits evolve in that field.when the
    field gains momentum filteration needs to be done.And soon the
    responsibility of determining junk and literature in that field
    falls in the hands of pundits.Public cannot devote their life to
    that field like pundits do.So the responsibility automatically
    shifts to pundits.

    2)Pundits then tend to grade and classify literature.At times they
    will not agree with public.Now clash occurs.Pundits will say
    something as not literature.But public will accept it
    commercially.For example in novels no critic accepted franklin
    dixon's hardy boys as literature.But public gave it a roving
    reception.But with passage of time it waned away.With new authors
    coming in hardy boys lost their popularity.Now they are no where.

    3)I seldom see popular opinion alone making any work literature
    contrary to critics opinion.If both pundits view and public view
    coincides nothing greater than that.They wont coincide at times,and
    we have always seen who has the correct judgement in the end.

    4)I agree that public have a say in literature.They create a field
    which cannot be done by any critic.For example gana songs can be
    moulded into a seperate art field in future.Puthukavithai's can
    become a seperate art field.But once that happens the control
    switches from public hands to critics hands.Once a field matures or
    grows public will cease to be judges anymore.Once you define a
    field,once you set parameters in a field public lose their judgement
    role.Dedicated diehard critics take that role away from public.

    If we take movie industry till they give a hit every director will
    do anything,will go down to any level to win.But if 3 movies become
    succesful they then will start craving for recognition from
    critics.They will crave for immortality.Unfortunately that cannot be
    given by public.So they will try creating movies to get
    recognition.Kamal creates hey ram,kuruthi punal,maruthanayagam to
    get that recognition.But he also knows that he has to come up with
    vasool raja and sahalakalavallavan often.He is torn apart between
    the artist and the banker.

    THere are artists who dont know to act except in certain roles.They
    know that they can never win immortality.They kill the artist inside
    them for money.Public too will punish them if they deviate.So the
    likes of vijaykanth,MGR,Rajinikanth, hit a rut and stay there
    permenantly.No critic will consider them as artists.These guys wont
    bother about it.Make money till you can.Thats all.

    Vikram,kamal,shivaji have satisfied the artist in themselves with
    some movies for 'the sake of art'.If you kill the artist inside you
    and treat art as a business then art wont give you immortality.The
    ephimeral public support will disappear once the next magician
    comes.But you will be rich and famous.

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