The Great Temple at Thanjavur: - Lecture
  • Prakriti Foundation & Madras Book Club

    are delighted to invite you to

    The Great Temple at Thanjavur:
    ...
    One Thousand Years, 1010 to 2010

    Old Problems, New Thoughts

    An illustrated lecture by George Michell

    on 19th February, 2011

    at Vivanta by Connemara

    at 7pm

    The millennial anniversary of the great temple at Thanjavur has been the
    occasion for the publication of a splendid Marg volume co-authored by George
    Michell and Indira Viswanathan Peterson, and illustrated by photographs by
    Bharath Ramarutham. One of the aims of this work was to re-examine the
    historical context of the foundation of the temple under Rajaraja I, and its
    original programme of stone sculptures and bronzes, as well as its murals,
    which are now accessible via a splendid new set of digital images
    commissioned by the Archaeological Survey of India office in Chennai.

    While the temple is familiar to art historians, a number of difficulties in
    interpreting the temple’s architecture and art remain, and George Michell
    would like to offer some new thoughts. He will discuss the problems in
    determining the precise foundation date of the temple; the possibility of
    there being an upper sanctuary dedicated to Nataraja reached by a
    double-storeyed mandapa; the curious fact that the sculpted icons of Shiva
    on the temple are wider than the actual wall openings; and the somewhat
    misleading earlier identifications of the royal portraits in the murals on
    the passageway walls surrounding the linga sanctuary. He will then consider
    the periods of neglect that the temple was subjected to, and the renewal and
    expansion of the monument under various Nayaka and Maratha patrons, thereby
    fleshing out the thousand years of the temple’s varied history.

    All are welcome
    http://www.poetryinstone.in
    “*Here the language of stone surpasses the language of man*” – Nobel
    laureate, Rabindranath Tagore

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