varAhamihira - theatrise on hindo iconography
  • varAhamihira was a medieval Hindu encyclopedist who lived in the
    500s of the CE era. He may have descended from a family of
    shAkadvIpI brAhmaNas, as suggested by the mihira epithet in his name
    combined with varAha. This is also suggested by his tendencies for
    solar-system worship which appears to have been a trait of the
    shAkadvIpI brAhmaNas or Iranian Hindu brahmins. He covers an
    extraordinary range of topics in his encyclopedic works ranging from
    astronomy, mathematics, rituals, yavana jAtaka-s, sooth-saying of
    various kinds, and worship of Hindu gods through idols. In the same
    breadth he introduces some of the best know trigonometric formulae
    like sinx^2 + cosx^2 = 1; the double angle expansions like cos2*x=1-
    2*sinx^2 as well as the basics of Hindu iconography. Thus, it is not
    suprising when we find trigonmetry mensuration and agamic issues
    pertain to idols being linked even the works of the later day
    nambutiri mathematician and tantric Chennas Narayanan Nambutiripad.

    In his bR^ihat saMhitA he gives a succint section on construction of
    icons of gods, which gives a good picture of what was the
    iconographic situation around, 500-600 CE, the culmination of the
    gupta period. Many of these topics are dealt with in great detail in
    the purANas and Agamas of the various streams, but varAhamihira's
    account appears to give a summary of what was popular, such that it
    can be compared with surviving temples of the period, like the
    glorious Udayagiri complex.

    The deities who were iconographically depicted in varAhamihira's
    times were: 1)rAma the son of dasharatha; 2) bali the son of
    virochana, the asura. 3) viShNu with 8 arms etc 4) balabhadra or the
    saMkarShaNa 5) sAmba 6) pradyumna 7) ekAnaMshA (3-7 appear to
    represent a vaiShNava set parallel to the set expounded in the
    iconographic chapters of the pA~ncharAtra tantras) 8)4-headed brahmA
    9) kumAra or skanda 10) indra 11) rudra, holding uma by his side 12)
    the buddha 13) the naked jain ascetic 14) sUrya 16) li~Nga 17)
    revanta 18) yama 19) varuNa 20) kubera 21) vinAyaka 22) sapta-
    mAtR^ika

    Appended below are the relevant verses along with some notes and my
    translation (the text follows the one provided freely by Indologist
    Michio Yano and one published by obscure press in the drAviDa
    country of which the title pages are worn off):

    57.30 dasharatha-tanayo rAmo balish cha vairochaniH shataM viMsham
    57.30 dvAdasha-hAnyA sheShAH pravara-sama-nyUna-parimANAH rAma, son
    of dasharatha, and bali, son of virochana, should be made 120
    [digits tall]. The heights of other images, i.e. large, medium and
    small, are less by 12 digits in succession (108, 96 and 84).

    57.31 kAryo aShTabhujo bhagavAMsh chatur-bhujo dvibhuja eva vA
    viShNuH 57.31 shrIvatsa-a~Nkita-vakShAH kaustubha-maNi-bhUShita-
    uraskaH The idols of viShNu must be made with eight, four or two
    arms. His chest is marked with the shrIvatsa and is adorned with the
    Kaustubha gem.

    57.32 atasI-kusuma-shyAmaH pIta-ambara-nivasanaH prasanna-mukhaH
    57.32 kuNDala-kirITa-dhArI pIna-gala-uraHsthala-aMsa-bhujaH He
    colored like a deep colored flax flower (deep blue), with yellow
    robes, having a calm and happy face. He wears ear-rings, a crown and
    has a muscular neck, chest, shoulders and arms.

    57.33 khaDga-gadA-shara-pANir dakShiNataH shAntidash chaturtha-karaH
    57.33 vAma-kareShu cha kArmuka-kheTaka-chakrANi sha~Nkhash cha [In
    the eight handed form] the four on the right side must have the
    sword, mace, arrow and the peace-giving mudra. The four left hands
    have a bow, shield, discus and conch.

    57.34 atha cha chaturbhujam ichChati shAntida eko gadA-dharash cha-
    anyaH 57.34 dakShiNa-pArshve hy evaM vAme sha~Nkhash cha chakraM cha
    In case a four armed idol is desired, the two hands on the right
    side will bear the peace mudra (=abhaya) and a mace. On the left he
    bears a conch and discus.

    57.35 dvibhujasya tu shAnti-karo dakShiNa-hasto aparash cha sha~Nkha-
    dharaH 57.35 evaM viShNoH pratimA kartavyA bhUtim ichChadbhiH If a
    two armed idol is made then the right hand has the shanti-mudra and
    the left holds a conch. Thus, the image of the viShNu is to be made
    when wealth is desired

    57.36 baladevo hala-pANir mada-vibhrama-lochanash cha kartavyaH
    57.36 bibhrat kuNDalam ekaM sha~Nkha-indu-mR^iNAla-gaura-tanuH
    baladeva should be with a hala in his hand, with his eyes
    intoxicated with beer. He should be shown wearing a single ear-ring,
    his body being as white as conch, the moon and lotus.

    57.37 ekAnaMshA kAryA devI baladeva-kR^iShNayor madhye
    57.37 kaTi-saMsthita-vAma-karA sarojam itareNa cha-udvahatI
    The goddess ekAnamshA should be placed between baladeva and
    kR^iShNa. Her left hand is placed on the hip and the other hand
    holds a lotus.

    57.38 kAryA chaturbhujA yA vAma-karAbhyAM sa-pustakaM kamalam 57.38
    dvAbhyAM dakShiNa-pArshve varam arthiShv akSha-sUtraM cha If she is
    made with four arms, then her left hands hold a book and a lotus.
    Her two right hands show the boon-giving mudra to the votaries and a
    rosary.

    57.39 vAmo atha vA-aShTa-bhujAyAH kamaNDalush chApam ambujaM
    shAstram 57.39 vara-shara-darpaNa-yuktAH savya-bhujAH sa-akSha-
    sUtrAsh cha [If in the] eight armed form, in the left hands she has
    a kamaNDalu, a bow, a lotus, and a book. In the right ones, boon-
    giving mudra, an arrow, a mirror and a rosary.

    57.40 shAmbash cha gadA-hastaH pradyumnash chApa-bhR^it surUpash cha
    57.40 anayoH striyau cha kArye kheTaka-nistriMsha-dhAriNyau shAmba
    should be made with a mace in his hand; pradyumna, is shown in a
    handsome form, with a bow in his hand. Their wives are also made
    with sword and shields in their hands.

    57.41 brahmA kamaNDalu-karash chatur-mukhaH paNkaja-Asana-sthash cha
    57.41 skandaH kumAra-rUpaH shakti-dharo barhiketush cha brahmA is
    made with four faces, a kamaNDalu in his hand and seated on a lotus.
    skanda is made as a youth, holding a spear in his hand and with
    peacock feathers.

    57.42 shukla-chatur-viShANo dvipo mahendrasya vajra-pANitvam 57.42
    tiryag lalATa-saMsthaM tR^itIyam api lochanaM chihnam The great
    indra is [made] with a white, four tusked elephant, and a
    thunderbolt in his hand. He should also be show with the mark of a
    third eye placed horizontally on the forehead.

    57.43 shambhoH shirasi-indukalA vR^iSha-dhvajo akShi cha tR^itIyam
    api cha-Urdhvam 57.43 shUlaM dhanuH pinAkaM vAma-ardhe vA girisutA-
    ardham shiva [is made] with the cresent moon on the head, and a bull-
    banner, as also the third eye, placed vertically on the forehead. He
    has a trident in one ha
  • this came to me as a forward from a friend...

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